Showing posts with label Drum and Bass. Show all posts
Showing posts with label Drum and Bass. Show all posts

Sunday, November 8, 2009

Squarepusher - Just A Souvenir

Born in 1975 (Essex, England), Tom “Squarepusher” Jenkinson can be broadly described as an electronic musician, though he is perhaps best known for his experimental with a heavy influence. Rising from near-total obscurity to drum’n’bass cause célèbre in the space of a couple of months, Jenkinson released only a pair of EPs and a DJ Food remix for the latter’s Refried Food series before securing EP and LP release plans with three different labels. His first full-length work, Feed Me Weird Things (on Richard “Aphex Twin” James’ Rephlex label), was a dizzying, quixotic blend of superfast jungle breaks with Aphex-style synth textures, goofy, offbeat melodies, and instrumental arrangements (Jenkinson samples his own playing for his tracks) that recall vaguely pioneers such as Mahavishnu Orchestra and Weather Report. A skilled bassist and multi-instrumentalist, Jenkinson’s fretless accompaniment is a staple of his music and one of the more obvious affiliations with jazz (although his formal arrangements are often as jazz-derived as his playing).

(More on Last.fm)


Tracklist
1. Star Time 2
2. The Coathanger
3. Open Society
4. A Real Woman
5. Delta -v
6. Aqueduct
7. Potential Govaner
8. Planet Gear
9. Tensor In Green
10. The Glass Road
11. Fluxgate
12. Duotone Moonbeam
13. Quadrature
14. Yes – Sequitur


Tuesday, October 27, 2009

Squarepusher - Hard Normal Daddy

Born in 1975 (Essex, England), Tom “Squarepusher” Jenkinson can be broadly described as an electronic musician, though he is perhaps best known for his experimental with a heavy influence. Rising from near-total obscurity to drum’n’bass cause célèbre in the space of a couple of months, Jenkinson released only a pair of EPs and a DJ Food remix for the latter’s Refried Food series before securing EP and LP release plans with three different labels. His first full-length work, Feed Me Weird Things (on Richard “Aphex Twin” James’ Rephlex label), was a dizzying, quixotic blend of superfast jungle breaks with Aphex-style synth textures, goofy, offbeat melodies, and instrumental arrangements (Jenkinson samples his own playing for his tracks) that recall vaguely pioneers such as Mahavishnu Orchestra and Weather Report. A skilled bassist and multi-instrumentalist, Jenkinson’s fretless accompaniment is a staple of his music and one of the more obvious affiliations with jazz (although his formal arrangements are often as jazz-derived as his playing).

Jenkinson grew up listening to jazz and greats like Miles Davis, Augustus Pablo, Charlie Parker, and Art Blakey. The son of a jazz drummer, Jenkinson followed in his father’s footsteps, playing bass and drums in high school. Introduced to electronic music through experimental - artists such as LFO and Carl Craig, Jenkinson soon began assembling the rolls of disparate influence into amalgams of breakbeat techno and post-bop avant-garde and progressive jazz. Claiming a closer affinity with jazz than (although he draws from both equally in his music), Jenkinson’s EPs as Squarepusher and the Duke of Harringay (Jenkinson moved to Harringay from his Chelmsford birthplace) were initially disregarded as misplaced perversions of jungle’s more obvious compositional principles, but found ready audience in fans of post- experimental listening music. He inked a deal with Warp in 1995, releasing the Port Rhombus EP and three others through a variety of different labels. His full-length debut, Feed Me Weird Things, appeared in 1996, followed a year later by Hard Normal Daddy.

Critical acclaim for Jenkinson’s work peaked with 1998’s Music Is Rotted One Note, for which he became a one-man fusion group — multi-tracking himself playing drums, bass, and keyboards. The following year, he released two EPs (Budakhan Mindphone, Maximum Priest) and another full LP, Selection Sixteen. Go Plastic appeared in summer 2001, featuring the closest thing to a hit Squarepusher had ever seen, with the single “My Red Hot Car.” Subsequent releases such as 2003’s Do You Know Squarepusher and 2004’s Ultravisitor found him refining his fusion of composition, programming, and musicianship.

More recently, in 2008 Squarepusher released “Just A Souvenir”, an album with a more rock-influenced sound, followed in 2009 by “Solo Electric Bass”, consisting of live recordings of Jenkinson on the titular instrument.

Tom Jenkinson is also known as Chaos A.D.

(from Last.fm)

Great Electronic/IDM Album. Enjoy!



Tracklist
1. Coopers World
2. Beep Street
3. Rustic River
4. Anirog D9
5. Chin Happy
6. Papalon
7. E8 Boogie
8. Fat Controller
9. Vic Acid
10. Male Pill, Pt. 13
11. Rat/P's & Q's
12. Rebus

Friday, October 23, 2009

Future Prophecies - Warlords Rising

Future Prophecies aka Richard Animashaun Thomas & Tony Anthun is a drum’n’bass duo from Oslo, Norway. After more than twenty releases on vinyl, and equal amounts of compilations contributions on labels such as Certificate 18, Renegade Hardware, Breakbeat Kaos, Moving Shadow and Teebee’s Subtitles, they have finally decided it’s time for a full length album!

Guest vocalists on the album are world music artist Mari Boine, and the track “Black Dragon” features a sample of the Norwegian jazz legend Karin Krog. The core of the CD was released last autumn as a three part 12” on Subtitles. But the album also contains the massive success track Dreadlock (Breakbeat Kaos), which recently was nominated for ‘tune of the year’ on the worlds busiest d’n’b site Drum&Bass Arena, pluss two new tracks, due for release on 12” on Under Constrution. Tunes from this album has been hammered on dub-plate by Dj’s as DJ Fresh, Andy C, Adam F, Teebee, Pendulum, Bryan Gee.


(from Last.fm)




If you like Drum and Bass music, this release is an absolutely must-have for you! Enjoy!




Tracklist
1. Miniamba
2. Dreadlock
3. Black Dragon
4. Thunder & Lightning
5. Bring The Noise
6. Jack The Groove
7. Deceived
8. Magnetic
9. September
10. Dark Matter
11. Warlords Rising

Mediafire 1/2

Calyx & Teebee - Anatomy

Calyx & TeeBee’s first collaborations emerged in 2004, but their history and friendship dates back to 1998 when they were introduced as label-mates of the legendary Moving Shadow imprint. In the following years the two artists accumulated an astounding back-catalogue of releases on a glittering array of DnB’s most respected labels.

In 1999 TeeBee founded what was to become one of the scene’s most reputable labels: ‘Subtitles’. The imprint grew from being a home for his own productions to a multi-artist label that is now highly revered by producers and DJs alike as a flag-bearer for the cutting-edge of forward-thinking Drum and Bass.

When Calyx and TeeBee finally decided it was time to work together in the studio, the first two tracks they produced (‘Follow The Leader’ and ‘Cyclone’) were highly acclaimed by the music press and witnessed huge DJ support across the scene. With both tracks featuring on Calyx’s debut album ‘No Turning Back’, they went on to gain enormous exposure for the duo as Rockstar games used their music as the soundtracks for a global advertising campaign for the latest installment of the colossal ‘Midnight Club’ series; with ‘Follow The Leader’ featuring on a lengthy TV commercial that gained huge publicity by being given blanket prime-time coverage for several months in every world territory.

In 2006 Calyx & TeeBee produced one of their landmark releases of the year: ‘The Quest’ which featured on the historic 50th release for Subtitles. Having also written ‘The Shape Of Things To Come’ for Renegade Hardware’s 10 year anniversary album ‘Above The Game’, the duo then decided it was time to embark on the long journey to produce their debut collaborative album ‘ANATOMY’.


(from Last.fm)




This is one of the finest Drum and Bass releases ever. Enjoy! (PS: 2 Tracks missing :/)




Tracklist
1. The Divide
2. Dual Processed
3. Make Your Choice
4. All That Remains
5. Warrior
6. Telepathy
7. Enygma
8. Confession

Mediafire